15 October 2009

Vive la France!


I have got a fetish for vinyl. This may come as a surprise to some (though, without doubt, not to many), but I admit - I'm guilty of this deviant pleasure. Not only have I got a large collection of vinyl at home, which I listen to every day, I also love vinyl as an object. I know, it's questionable, but mostly harmless. Over the past couple of years I have been writing about records as objects for UK music magazine Record Collector. In order to widen my audience (a bit), I've decided to add one or two of these short pieces on this blog in the sincere hope you will enjoy them and maybe you might even be enticed enough to run out and spend some of your well earned cash on......


The Girl In The Bikini
Poplar PLP 33-1002, LP 1952

Even though the bikini has been known since the ancient Greeks, Louis Reard and Jaques Heim claimed the invention of the famous two-piece of swimwear in Paris in 1946. The name bikini was chosen because they rightfully thought the effect of their scant piece of textile on both men as women would be as big as an atomic explosion (nuclear tests were executed on the Bikini atoll at the time). There was a lot of adversity towards the bikini in those conservative post-WWII days, even resulting in the banning of the bikini from the 1951 Miss World elections. However, one year later Brigitte Bardot (Europe's foremost sex kitten) played her first major role in Willy Rozier's black/white beach flick Manini, La Fille Sans Voile (Manini, The Woman Without A Veil). The movie hardly contained any storyline, but it did feature the 18-year-old Bardot running around in a bikini most of the time. The effect was indeed like an atomic explosion! The movie (and Bardot) made the bikini popular almost overnight and Bardot even gained the nickname The Bikini Girl. Appropriately retitled The Girl In The Bikini the movie was released in the USA. In the UK the movie was known as The Lighthouse-Keeper's Daughter. Strangely enough, the soundtrack album, containing a fine score by Jean Yatove, was only released in the USA. But more important than the music, the album featured a gorgeous-looking bikini-clad Bardot on the front cover, with even more stills from the movie on the back cover. The record is one of the rarest soundtracks ever and is in great demand, not only by Bardot- or soundtrack-affectionados, but also by those who appreciate that tiny piece of swimwear so rightfully named "bikini". Copies of the original pressing can easily fetch 300+ USD. For those with tighter pockets, but likewise interests, the album has recently been released (in its original cover but with marginal sound quality) on CD by El records. The music you ask? Gorgeous and lush orchestral music with washes of sea and strange sub-sea sounds added for effect, some vocal tracks and (the only drawback) one of those typical French can-can songs. Skip that one, and you'll have a wonderful evening with Brigitte.

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